A series of coincidences puts Scully in
contact with someone from her past, causing her to question
her romantic and professional choices. Anderson`s story -- which
writer/producer Frank Spotnitz helped give that "X-Files"
touch -- finds Scully grappling with sins from her past when
she encounters Dr. Daniel Waterston and his daughter,
Maggie. It seems that Scully and Waterston had an affair
years earlier, a dalliance that wrecked Waterston`s family
and compelled Scully to join the FBI.
"One of the
concepts I wanted to imbue the script with is the idea that
we are guided, in a sense, through our lives," Anderson says
during a conversation from her "X-Files" trailer on the Fox
lot in Hollywood. "There are reasons for so-called
coincidences."
Episode
Summary
By Michael Marek and Jamie
Ruby
As Scully gets
dressed we hear an opening narration about time passing and
about how rarely we stop to examine the paths we have taken
in life to see if our path in life is that of our own
making.
63 hours earlier
- a slide projector flipping to the beat of music from a
radio or tape player. Mulder is working in his office.
Scully enters and turns the music off. They discuss
somebody's autopsy results. She tells him that Szczesny died
of drowning, but not from the inhalation of ectoplasm as he
suggested, but rather in a margarita mix – upchucked with
about forty ounces of tequila, which she and her friends
rapidly consumed while trying to reenact the “Blair Witch
Project.”
He changes the
subject, showing her a slide of a computer generated crop
circle that he says proves that crop circles are fractals
and were predicted in advance by a computer. As he speaks,
Scully eats lunch and largely ignores him. She doesn't see
the point. He has two tickets in a flight to England, where
he expects that more crop circles will be created, but she
doesn't want to go. He cancels her ticket and heads off on
his own.
Scully:
Mulder! Look, we’re always running. We’re always chasing
the next big thing. Why don’t you ever just stay still?
Mulder: I wouldn’t know what I’d be
missing.
Scully returns to
the hospital to finish paperwork on the autopsy. On an x-ray
mistakenly given to her she finds the name D. Waterston - a
name she knows. Dr. Daniel Waterston was admitted the
previous day in coronary care. She goes to his room where
the doctor walks off with a woman who we later learn is
Waterston's daughter, Maggie. Scully enters and finds
Waterston asleep. His cardiologist tells her that he had
severe chest pains the day before. He has a serious but
treatable condition. Scully was one of Waterston's students
some years earlier.
At home Scully receives a phone call from
Maggie Waterston. The doctor had told Daniel that Scully had
been there and Daniel wanted to see Scully, but Maggie is
clearly resentful of Scully. "If you come it doesn't mean I
accept you in his life," she says.
Scully goes to
the hospital. She enters room 304 instead of 306 by mistake
and apologises to the woman. Maggie leaves immediately when
Scully arrives at Waterston's room. They are restrained in
their greeting. When he takes her hand she is troubled. She
asks does he want to remind her again that her choice to
enter the FBI was wrong and says that he never accepted her
reason for leaving. The viewer may wonder at this point
whether they are they talking about medicine or a
relationship. She is sorry she came. But he says the fact
that she did come means something.
Suddenly while
talking to Mulder on the phone while driving, in slow
motion, Scully has a close call with a large truck, saved
only by a women who crossed the street and came in front of
her car thus making her slam the breaks. It is as if the
woman knew she was saving Scully. On the phone, Mulder asks
Scully to look up an address of a spiritual healer who
researches crop circles.
Scully arrives at
an address Mulder asked her to visit and finds a women
Scully visited in the wrong room (room 304). Colleen Azar
knows that Mulder has sent Scully for information on her
Taoist research. Colleen says that there is a greater
intelligence in all things and accidents or near accidents,
such as Scully had, often remind us that we have to slow
down and keep our minds open. Walking to her car, Scully
drops the papers the woman gave her. They fall to the ground
in slow motion. She looks at a picture of a crop circle.
Waterston calls
Scully back to consult with the cardiologist. Her informed
opinion agrees with Waterston on his treatment. When they
are alone, Scully asks Waterston how Maggie found out about
their affair. Things got bad at home after Scully left.
Their breakup was hard for Daniel. He shut down. got a
divorce and came to Washington. She is stunned that he would
move there to be close to her but not contact her. Daniel
asks her what does she want right now? She tells him -
everything she should want at this time in life - maybe the
life she did not choose. She takes his hand again and cries.
He comforts her but as she rests her head against his chest
he has a heart attack and goes into arrest.
Scully performs
CPR then guides the staff through restarting his heart.
Later, Scully returns to talk to Colleen. Her home is filled
with mystical symbols. Scully wants to ask about what
colleen said about slowing down. Scully had a strange
feeling that Daniel may have a more serious condition than
anyone realizes. Colleen says that holistic practitioners
believe that people have an aura, an energy field that
extends beyond the body. Scully maybe sensed her friend's
pain in this aura. Where there’s pain there’s a need for
healing – physically, mentally, or spiritually. Colleen says
that when we hold on to shame and guilt and fear it creates
an imbalance and affects who we are. Scully admits that she
has had moments when time appears to extend and things
become very clear. Colleen says Scully may be more open to
things than she thinks - it's just a matter of what she does
with it.
Colleen tells
Scully that she used to be a successful physicist, but she
was unhappy in her career. She was cut off from the world
and herself, and was literally dying inside. Two years ago
she was diagnosed with breast cancer. She tells Scully that
it’s the cancer that got her attention and stopped her from
being on a self-destructive path she was on, and it made her
realize that she was in a field that had little meaning to
her, and it allowed her to be happy for what feels like the
first time in her life. Scully asks her how. She tells her
that she was introduced to a healer who helped her to see
the disease for what it was. It wasn’t until she began
releasing shame and telling the truth that her cancer went
into remission. She tells Scully that she knows that she
still isn’t sure, and wants some proof to take with her. She says "everything
happens for a reason"
Scully returns to
the hospital. Daniel is in a coma. Maggie resents Scully's
involvement and asks her whether Scully has any idea the
hell that she created in their lives. Scully moved on but
Daniel's family had to live with what she left behind. In
slow motion, Scully walks down the street, thinking. She
sees the woman who appeared to save her from the accident
and follows her into an oriental courtyard. Entering a
building she finds a Buddhist shrine. She kneels and closes
her eyes and has a vision of people in her life - Her
family, Mulder, CSM and Emily. Then sees Daniel's body,
transparent, but his heart is black. When he opens his eyes
she flashes back to awareness, stunned by her
vision.
Scully asks
Colleen and a healer to help Daniel but the cardiologist
belittles the idea. Maggie instructs the cardiologist to
allow the session to continue. The healer says Daniel is
ready to move on, but unfinished business is holding him
back. It is implied that the business is Scully. At home at
night she has a dream, seeing herself in the hospital bed.
Maggie calls her back to the hospital.
Daniel is awake.
He denies that the ritual helped him, promises to get well
and wants to talk about what happens next - about starting a
new life together. She says no and tells him it's time for
him to take responsibility for the hurt he caused in his
family. He's been running for the truth for 10 years. Maybe
the reason he's still alive is so he can make up with
Maggie. Scully isn't the same person she was. She leaves
Daniel and Maggie together.
Outside, Scully
sees the woman who saved her from the accident and follows
her again, but as she grabs her shoulder in slow motion, it
turns out to be Mulder. He is supposed to be in England but
he is back - there was no crop circle. Maybe sometimes
nothing happens for a reason, she tells him. They go off
together.
Talking in his
apartment, Mulder finds it hard to believe that he goes away
for two days and her life changes. He says God talked to
her, but she says it was only a vision. Saying that she had
a vision is still radical for her. She considered spending
her life with this man but she is astounded at what she
would have missed if she had done that. Mulder says that all
of those choices lead to this very moment and they wouldn't
be sitting there together if any one of those choices had
been made differently.
She falls asleep
with her head on his shoulder. In slow motion, he brushes a
strand of hair off her face and covers her with a blanket.
The camera pans and we see that there is a smiling Buddha in
his apartment.
Gillian
Anderson Calls the Shots
Thanks to The
Haven and Souris
By Ian Spelling
(Distributed by
New York Times Special Features.)
As such, the
actress says, she's "good at being bossy." And that came in
handy after she convinced creator/producer Chris Carter to
let her make her writing and directing debuts with "All
Things," an episode of "The X-Files" that will air April 9.
"What happened
was that I sat down right after a conversation with my
manager and started writing an outline for the entire
episode," Anderson says. "I
didn't plan on that all the characters came out. All the
beats came out, and everything just flowed onto the page. I
guess it was needing to get out there somewhere.
"The next day I
went in and pitched the idea to Chris Carter," she recalls,
"and I told him that if I were going to write it I also
wanted to direct it. He said, 'Great. Begin, and show me
what you have when you have it.'
"And I kind of
started from there."
Anderson's story
-- which writer/producer Frank Spotnitz helped give that
"X-Files" touch -- finds Scully (Anderson) grappling with
sins from her past when she encounters Dr. Daniel Waterston
and his daughter, Maggie. It seems that Scully and Waterston
had an affair years earlier, a dalliance that wrecked
WaterstonOs family and compelled Scully to join the FBI.
As the hour
unfolds, it explores issues of fate and faith vs.
unpredictability and doubt, love of family vs. emotional
escape into loneliness and the clinical vs. the beautiful.
Amid all of that, fans of the relationship between Scully
and Mulder (David Duchovny) are in for a tasty treat.
There's even a visit of sorts from God.
"One of the
concepts I wanted to imbue the script with is the idea that
we are guided, in a sense, through our lives," Anderson says
during a conversation from her "X-Files" trailer on the Fox
lot in Hollywood. "There are reasons for so-called
coincidences."
"That was the
initial concept behind the script," she says, "and it's hard
to say where all the other aspects of it came into being,
from Scully's relationship with a man from her past to the
man's relationship with his daughter."
"I can't even say
how those came up," she concludes. "I don't know I just
don't know."
Anderson overcame
serious jitters to discover that directing wasn't quite as
tough as she had anticipated.
"I was terrified
beforehand about how I was going to figure stuff out in
terms of what shots I needed and how one melded into the
next, what lenses to use and all of that," she says. "I was
actually pleasantly surprised by how much had just sunk in
over the last seven years.
"I also had one
of our regular directors, Kim Manners, as my right-hand man,
to lead me through it," the actress adds. "I was able to
prep, do shot lists and then show up and actually know where
we were going to go, how many shots we needed to do, how I
wanted to see it visually and everything like that."
Directing her
co-star worked out perfectly well, too.
"David only worked a day and a
half on the episode," Anderson says. "It went fine. He
showed up and he was prepared."
Anderson believes she got the
episode she sought to achieve, but will reserve final
judgment until after she completes the editing process.
By that time,
however, another unknown -- the future of 'The X-Files'
itself -- will likely have been decided, perhaps distracting
from "All Things."
The actress
reiterates that she does not want to return for an eighth
season, but has two new points to add: She wouldn't be
interested in forging on without Duchovny, nor in playing
Scully as a recurring role on the possible Lone Gunmen
spinoff, the pilot of which recently wrapped production in
Vancouver.
"The dilemma
we're in right now is we've got four more episodes to shoot,
and we may not know if it's going for another year until
we've got two more episodes to shoot," Anderson says,
sounding both forceful and sad. "For them to suddenly come
and say, 'You know what? You're not going to do this
anymore,' would be a blow to the stomach.
"That would give
us two episodes to go through a mourning process that we
should have had at least six months to go through," she
says. "At that point, when it becomes, 'Oh my God, do we let
this go or do we go on?,' of course we're going to not want
to let go of it.
"WeOll feel,
'We've been doing this for seven years, and we've only got
two more to do together,'" she says. "We'd want to extend it
a little bit more."
Anderson pauses
for a moment, searching for the right words.
"It's kind of an
awkward and unfortunate situation that everyone is in right
now, not the least of whom is Chris Carter," she says. "If
this is the last season, he has to wrap it up in two
episodes. "It's going to be
insane."
Episode Information
David
Duchovny |
Special Agent
Fox Mulder |
Gillian
Anderson |
Special Agent
Dana Scully |
Nicolas
Surovy |
Dr. Daniel
Waterston |
Stephen
Hornyak |
Dr. Paul
Kopeikan |
Stacy
Haiduk |
Maggie
Waterston |
Elayn
Taylor |
Nurse #
2 |
Colleen
Flynn |
Colleen
Azar |
Carol
Banker |
Carol |
Scott
Vance |
Healer |
Victoria
Faerber |
Nurse #
1 |
Cheryl
White |
Nurse #
3 |
Written by Gillian Anderson Directed
by Gillian Anderson
Shooting Started:
23rd February 2000 Air Date: 9th April
2000
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